Humanity Unlocked

(Coronavirus Journal, Part 15)

Creed of the Covid Denier

We hold these truths to be self-evident—apparent to common sense and demonstrated by the latest science:

  • The fake pandemic is not a pandemic. It is a normal flu season.
  • The fake virus has never been isolated and proven to exist. It is a computer simulation of a DNA sequence.
  • The fake deaths are rebranded deaths from other causes. Overall death rates are normal, by infection rate and yearly total.
  • The fake treatment by ventilators kills 97% of its victims; while safe and effective treatments (HCQ, Ivermectin) have been banned from distribution and even discussion in mainstream and social media.
  • The fake cases are not based on infections or illness. They are fake results from a fake test.
  • The fake test is not designed to detect any illness. The cases from actual symptomatic illness are rebranded from normal flu and pneumonia.
  • The fake hospital overwhelm narrative is undermined by the normal trend of full capacity in some hospitals during flu season, and by contradictory reports of many other hospitals being empty and staff laid off.
  • The fake vaccine doesn’t prevent death, illness, or transmission. It is not a vaccine, but a genetic modification device and AI operating system for human experimentation and tracking.
  • The fake vaccine gives fake immunity. It doesn’t prevent illness, but could cause a harmful overreaction of the immune system. In the first wave of human trials it has caused death and disability at a rate 10x greater than that of the fake virus, with longer term effects potentially worse.
  • The fake safety measures of masks, distancing, and lockdowns could not halt the spread of the fake virus even if it was real. At best they would hinder the natural course of building herd immunity. Meanwhile masks and lockdowns cause widespread harm and suffering (physical, psychological, social, economic) far beyond any health impacts of the fake virus.
  • The fake rationale for masks, distancing, lockdowns is to “stop the spread.”
  • It’s a fake spread, since “asymptomatic transmission” is a myth.
  • “Cover your face” is programming code for “you feel shame.” “Wash your hands” is programming code for “you are guilty.” “Social distancing” means antisocial distancing. “Lockdown” is a prison term. Arbitrary cancelation of fundamental human rights and freedoms, properly known as “tyranny,” is rebranded as the “new normal.” The social restrictions are projected to remain in place, even past the rollout of the fake vaccine, indefinitely.
  • The real purpose of this entire false narrative is antisocial control, a “warp speed” transition to a new reset global order (powered by a toxic planetary 5G grid that is fake smart).

Time to go viral against the virus of the fake pandemic. Flip e-v-i-l back to l-i-v-e.


–Buttons available in bulk from: https://www.buttonboy.net/covid

Selected Reference:

What hoax? Take your pick. It’s an all-you-can-stomach buffet: MaskingPCR TestsSocial distancingLockdownsOverrun hospitalsCase countsCOVID deathsThe vaccine.
— John C. A. Manley, MuchAdoAboutCorona.ca

Swiss Policy Research | Vaccine Choice Canada | Jon Rappoport | Global Research

Video: The Ten Stages of Genocide | The New Normal

Covid Research Made Easy | Quarantine Reading List

Coronavirus Journal

Ayahuasca and the Astral Body

The astral body is all very well, but no heaven is complete, it seems, without its counterbalancing hell. And no hell is everlasting, when there is a return to the place in the middle: planet Earth.

(an excerpt from The Last Tourist, by Nowick Gray)

Setting the stage:

The impetus for my journey to Peru in 2005 was a quest for better health. I had experimented with ayahuasca in controlled settings near my home in BC. In ceremonies led by established traditional shamans of the Peruvian Shipibo tradition, I found some promise of relief from a chronic sinus condition.

The container for ceremony is set by individual intention and group support, in a yurt with low lighting and live ambient music of flute, drum and rattles to accompany shamanic singing. Each person on a mat has blankets, pillow, and a bucket to purge the noxious drug. Within an hour of drinking a shotglass of the red-brown, bittersweet brew, the visions begin. At least, that’s what normally happens. But every session is different. It gives you what you most need at that time.

Ayahuasca is no mere joyride, for kicks. The medicine allows you to experience, with more intensity of feeling and awareness, both your weaknesses and limits, and your core strength and integrity. After my initiation to ayahuasca ceremonies and revelations near home, I was inspired to sign up for the real thing, a seven-day solo dieta in the Amazon jungle. The trip to Peru promised individualized attention and local medicinal prescriptions, complementing almost-nightly group ayahuasca ceremonies. Inspired at the time also by readings in esoteric alchemy, I imagined that such full immersion could bring my holistic healing process into focus as nothing less than an archetypal, alchemical transformation.

What Goes Up Must Come Down

To spur my milking of the opportunity for all it could yield to my greedy soul, I had been devouring Dennis William Hauck’s hermetic masterpiece The Emerald Tablet: Alchemy for Personal Transformation, taking copious notes to form a template for my own transformation.

The basic ladder of classical alchemy matches well the chakras of the Indian tradition, leading to a crown of gold enlightenment, in seven steps from the base lead of the root chakra, material earth. An interesting capstone to the comparison occurs with a sealing of the ceremony at the end of the process, with the introduction of salt. Along the way impurities and new challenges are worked through and transformed, raising the serpent kundalini to the next level of psychic chemistry.

I dared to intend that these seven stages of classical alchemical soul transmutation would be completed, in my case, not in seven lifetimes, seven decades, seven years, months or weeks, but in just seven days.

Why not?

Self-talking myself into success at each rung of the ladder during the week, I had psyched myself up for level 7: the pinnacle, the peak, the destination, the promised land. Hauck calls it the stage of “Coagulation: Ultima Materia of the Soul.” Was I ready for this? I believed I was.

My intention going into the stage seven ceremony was to hop on the Astral Travel Express—a full-fledged out-of-body experience. The experience I was given instead made any such notion seem like a cheap parlor trick.

Here was real magic, in which vibration, pure energetic vibration, was the operative reality.

Was I in my body?

Trouble is, there was no I. The body was still, the mind composed, and the plant and the chants took care of the rest.

At first I was resigned to a rather mild and mellow experience—no sickness, calm demeanor, all systems cruising at little more than idle speed. I considered boosting with a second dose. Good idea… not!

Ricardo chanted for me, calm and sweet, and then Guillermo assembled all of us in front of him for his icaros, our aural medicine. Only when his chanting was done, did the fireworks begin in earnest. The room turned into a grand tripping party, with giggles, soft conversation, telepathic smiles. Guillermo’s eighty-year-old mother, Maria, sounded almost playful in her squeaky high voice. Fred’s bass chants rocked with the power of his hoop drum. Russell stood and flapped his arms like wings, the eagle spirit taking fierce hold. Francois wore his best shaman’s expression, a mischievous mask.

I was beaming with a beatific grin, at the wonder of it all, and of Guillermo’s genius as the MC. And there was this disturbing contralto vibration going on from a disco dive deep in the jungle—not our imaginations. It set up a manic minor vibration in my sternum all night long, that left its mark in an irregular pulse and ungrounded state throughout Sunday morning.

Somehow I managed to ride out the waves of nausea, stomach knots, bowel churning, by maintaining a supine posture and breathing with focus. This strategy continued for many hours, both inside the maloca and back in my bed. I never did sleep—I was too wired, floaty, on the edge of survival. I had a vision of my body laid down into the earth, a soft pall of great gray feathers enveloping me in grave comfort.

I stayed out of a negative fixation, though—because I held onto a thin core of stability; because I had weathered worse before (on day 2); and because I was intrigued by the microscopic zoom of my mind-body-spirit-emotion awareness.

I cushioned soft and low, content and quiet. I curled on my side in a fetal position, holding myself as in the incubator—a tender newborn. I called on all my self-healing, self-loving powers to assist in keeping the ship upright and running true. Breath and mind focus were continuous, sustained, but with constant effort required.

Through it all I was awed in the face of the permeating power of full consciousness. My being was transformed into a new body of light and pulsating sensation on the subtle level. I was my astral body: there was no separate or original physical body anymore.

“At this stage,” Hauck tells us, “you are born into the Universe and have arrived at a new plateau, the Greater Mysteries of the ancients.”

Next morning…

I was still tripping, vibrating, pulsing by breakfast time. So it was all true. I had seen what I have come to see, stepped into that place (or at any rate, out of this one). Now what?

What goes up must come down.

In more eloquent terms, Hauck explains,

Dematerialization is not the end, and getting into heaven is not the final stage in alchemy. As Hermes has repeatedly warned us, the eighth stage is a step off the ladder of transformation and a return to where we started.… The successful Coagulation is only made real if it “descends again to Earth” and enters into the processes of projection and multiplication to perfect others. It is the return of Buddha, Mohammed, Christ, and all the saints. In this view, we are truly the Salt of the earth.

That was all very well, but the kicker was the actual fall from the top rung to the salty muck at the bottom.

The brew was vile for this night’s finale, tasting evil, badly fermented. It had everyone retching into their buckets, and staggering to the outhouse with the runs. The maloca was a seething mass of misery—belching, puking, groaning, sighing, thrashing—for what seemed like four hours.

The chants were sometimes calming, sonorous, but more often they offered fitting accompaniment to the sickness vibe.

All this, after our collective intention to “let the love vibe in”?

No, the plant spirits reminded us, day 8 was about returning to the pain and suffering inherent in the wretched human physical body on earth, with emotional, mental and psychic (did someone say “spiritual”?) baggage brought along for the ride.

In the middle of the night poor Damien got paranoid and violent, needing two attendants to restrain him as he yelled out that vampires were after him, that they were going to throw him into the oven. Lana laughed and cried in turns as she milked herself of rivers of residual pain. Maria keened like a black angel and Ricardo, her husband, sang Shipibo blues in the shape of a melting Keith Richards guitar, accompanied by tree frogs careless of our sad condition.

I spent the night in grueling nausea. When Sonia came to escort me to Guillermo, I couldn’t or wouldn’t go—it was too much effort to sit upright, let alone walk or otherwise move across the room. She asked Francois for backup and he convinced me to try. I crawled there and bowed and prostrated myself before the evil magician, pleading silently for some grace. A few bars into his chant I heaved into his bucket. That was the grace. After that I could at least sit up, though I still had to crawl back to my mat when his work on me mercifully ended.

Eventually a couple of trips to the bathroom completed the relief from a continually tormented gut. I was, in short, unimpressed with the prospect of doing any future ceremonies. It was all pain with no gain.

Actually the gain was relative: an experience of small bliss just to feel more normal again. A character-building kind of afterglow, after having endured the worst.

October 31st

Still punky in the morning, abed after most had recovered, I found fetal comfort with the image of Maria and her small slippered feet, a cozy maternal warmth. In the patient passage of those hours, I came to appreciate the value of sacrifice, release, having fully experienced the depth of life’s core suffering.

The astral body is all very well, but no heaven is complete, it seems, without its counterbalancing hell. And no hell is everlasting, when there is a return to the place in the middle: planet Earth.

In the afternoon Guillermo drove the point home by assigning us a dual mission: a two-hour forced march in the sun down the dusty road, only to quench ourselves in the earthly paradise of the lake at the far end, reward and redemption for it all.

Aftermath

I was left with images and metaphors for the pain and suffering I’d endured during the week:

—Like being punched repeatedly by a pro boxer whom I’ve offended or stupidly challenged.

—Like being walked over slowly by a herd of cattle, a slow-motion stampede.

—Like an old shirt being twisted and wrung out, and hung to dry in a damp jungle.

And how would I summarize what alchemy actually occurred within me, a year or fifteen years later? Was it all so very profound, or life-changing at all? My relationship back home came to an end over the next six months; but I could not lay blame or credit clearly on my trip to Peru. Was the journey unforgettable, but so unique it could not be communicated, except by saying, “You just have to go there”?

I did what I wanted then, and was inspired to continue… to “go deeper.” I learned directly how to “listen to the body” and “open the mind.” Still, these are such mundane phrases. Their truth lies in their simplicity. Putting all my planning charts and self-evaluations aside, I can say it was a path of connection to source nurturing energy. What emerged was not a fixed formula, before or after; rather, an evolving self-definition—both freer and more expansive, and more grounded, humbled. All thanks to the human healers, the healing plants, and the healing spirits.


Healing Journeys,” Part III of The Last Tourist, traces a decade (2005–15) of experiences and reflections at four notable world centers of spiritual healing:

  • Amazonia – at Espiritu de Anaconda, a retreat in the Peruvian Amazon with ayahuasca shaman Kestenbetsa
  • Abadiania – site of psychic surgeon John of God’s healing center in central Brazil
  • Ayurveda – at the Poonthattam retreat center in Kerala, India under the direction of Doctor Raveendranath
  • Arunachala – the sacred mountain of Shiva, rising above sage Ramana Maharshi’s ashram in Tiruvannamalai, India

Read more in “Healing Journeys” or The Last Tourist.

Black Moon Culture

an excerpt from the travel memoir, The Last Tourist, by Nowick Gray

Children of the Machine: From the Be-Bob Reggae Bar to the Black Moon Rave.

08 March 2008

A hundred devotees sat motionless on the sand watching, as if on reality-TV, the spectacle of young Thai men playing skiprope with fire, a 15-foot length of flaming sisal. Thump-thump-a-thump-thump went the pounding “music” in the dark; the dayglo constructions overhead offering the only variety from the relentless beat of the machine. Most of the crowd were men, young travelers from Western lands who shared buckets of Red Bull and local whiskey with their shadow-eyed Thai escorts of the night, or with me in exchange for a few eager taps on my djembe.

It was a spur-of-the-moment kind of thing, with the group of us who started out in the Be-Bob bar. Be-Bob was not the usual kind of casual misspelling; it was an intentionally clever description of its proprietor, a Thai in his mid-twenties who in his own gentle and gracious way, offered to this corner of the world a kind of personal altar to Bob Marley. Day and night the old standards played, “Redemption Song” and “No Woman No Cry,” sometimes accompanied by Mang and friends on guitar or drum, but never out of the looping playlist for long. It was a haven artfully constructed from local rocks and tree limbs, festooned with vines and strings of coral and featuring the burbling sounds of a recreated forest spring. A few feet out the door lay the swath of new road construction, daily heaving with its trucks and bulldozers and graders as the access is prepared for the 200-million-baht, 50-bungalow resort going up on the nearby end of the beach.

A couple of days earlier I had wondered about attending the Black Moon dance party at Ban Tai, just to get a taste of the phenomenon—at least its new moon variant—that attracted so many partygoers to that opposite end of the island. But it seemed a bit far to go, with a pricey taxi ride and no certain return in the late night; and techno music was not really my thing. Meanwhile after a casual jam at the Be-Bob, Mang had the inspiration to throw a party on this same night, which seemed a good, rootsy alternative to the Ban Tai beach scene. He printed up some flyers with the additionally clever come-on, “Be There—Be Bob.” His friends would show up with a piece of metal roofing to fold into a makeshift barbecue, and the usual fare of drinks and smokeables would be on hand to ease guests into cozy conviviality.

So it went… me arriving with djembe in hand fresh from kirtan, already uplifted into seventh-chakra bliss by the vibrations of the beehive-kiva sound temple at the yoga center up the hill. I joined a party of somewhat familiar fellow travelers, seven of us from seven countries. Scattered tales of Jamaica and Amsterdam, Laos and India… but soon the idea arose: who’s up for a trip to Ban Tai? Some waffled. Sandrine flipped a coin: heads, she’ll go. Tempted by the opportunity and a group taxi fare, I yet demurred. The complimentary barbecue food, tasty fish and plates heaped with salad, was just starting to arrive at our table, and the intended jam session was yet to begin. Mang sat pensive and alone—perhaps a trifle discombobulated—behind the bar, watching his only party guests consider an early exit. “Don’t worry,” we half-sang to one another; “Everything’s gonna be all right…” At that moment disembodied Bob joined us for the chorus.

I felt in a sense obligated to honor the personal invitation that had been extended to me, along with the promise of semi-public performance; but on the other hand the party was, so far at least, nearly empty but for the group of tourists about to walk out the door. At the last instant I changed my mind, grabbed my drum, and joined them, promising Mang to come back and jam again another night. As I walked through the door Bob, always on cue, sang a serenade: “You’re running, you’re running, you’re running away…”

Sandrine confided that she always had trouble making decisions. Sometimes she would call a friend for advice; usually she would resort to the coin-flip method. That often entailed more than one result: two out of three, or even up to ten tries, to “increase the probabilities.” I shared that during my recent Vipassana retreat (at a monastery just up the hill from the town of Ban Tai) I had put this very question of nagging doubt and indecision to the teacher. He had a couple of ready answers. “When in doubt, don’t do. Then the task is to ask a friend. If still in doubt, flip a coin.” Evidently Sandrine was already tapped into this timeless spiritual wisdom. I recalled the past year’s deep dark film based on the Cormac McCarthy novel, No Country for Old Men, with the coin flip a device used by the psychopathic killer to doom his victims by their own choice. This resonance was further enriched by the fact that our Irish friend for the night’s road trip was named Cormac.

By the time we reached the taxi stand there were four of us still committed to the journey. But now the taxi driver, taking his ease with friends between the shops in the calm night air, changed his mind, shaking his head as he looked at us as if in dour judgment of our collective cultural (or was it anti-cultural?) folly. No matter; we found another taxi stand, and waited there sipping what was advertised in red block letters on the wall as “Sexy Beer.”

Once deposited under the broad banner of “Black Moon Culture,” we were confronted with a 300-baht entrance fee, unanticipated but unavoidable now that we’d arrived. The scene past the gate was uninspiring: vendors with rainbow wands beside large boards filled with dayglo figures they would paint on body parts. Long booths selling incongruous drinks such as red plastic beach buckets brimming with Jack Daniels. Herds of aimless, faceless people visible only as a pattern of black and white, punctuated by flashing wands of rainbow light. The ever-insistent, never-uplifting deadbeat pulse of the beat, beat, beat.

Where and when had I felt something like this malaise before? Ah, yes… the Hinsdale, Illinois Youth Center, when I was seventeen and looking for something to do on a Friday night.

Eventually people danced. Cormac wandered for two hours looking for his girlfriend who had disappeared in the company of another friend. Sandrine sipped whiskey and coke and talked wistfully of her bungalow and book, Krishnamurti. Even so she was content enough with her decision to go for “the adventure,” and so was I. You never know unless you try. “Better to act,” my teacher had said, “than sit on the fence.” I drank a second beer, sat in the sand astride my drum and tried to play along with the bassy airwaves, refusing an offer of Ecstasy. But the beer didn’t quite do it. The drumming couldn’t really be heard. We joined the dancers. With a little effort and time you could kind of get sucked into the tsunami of sound. After a while that too was boring; we decided it was enough and we should look for a taxi ride home. Cormac gave up on trying to find his girlfriend.

The taxis were doing a brisk business at 3:30 a.m., and we quickly found a ride back to Haad Salad, packed in the back of a pickup with five or six others headed to assorted destinations. The tipsy Swedish blonde sitting across from me could hardly keep her flying fingers off my djembe; but whenever she paused for a moment, the French woman next to me immediately urged me to keep playing. Perhaps, after all, the spirit of Bob was still with us: “jammin till the break of day…”

It was four thirty by the time I reached my bungalow. The decision to turn off the six o’clock meditation bell-alarm was a no-brainer. Sleep when it came was not steady or deep, as the leftover pulse of the beat machine refused to go away… having entered the very structure of my cells, reprogramming my DNA. Joining the others, in the inexorable drift toward Black Moon culture, now I, too, had become a child of the machine.

Fast-forward: 9:30 a.m.

“I woke up this morning, and wrote down this song…”


Order The Last Tourist now from Amazon.

Table of Contents

Part I – Paradise Lost and Found
* Hawai’i: Gateway to the Tropics
* Walking Light: Asia-Pacific Travels

Part II – The Long Way Home: Europe and Latin America

Part III – Healing Journeys
* Amazonia
* Abadiania
* Arunachala
* Ayurveda