Freedom Haiku

For more haiku see my latest book, Salt Spring Haiku. Here are a few excerpts.

Tipping the Balance

  1. Common Ground

humanity whole
with self-determination
our rights guaranteed:

freedom of choice, real
rule of law, informed consent
doing no one harm

  1. Betrayal

a fraudulent disease
masks and lockdowns and distance
then the killing shots

arbitrary bans
disproportionate response
collateral deaths

  1. Fear

loss of livelihood,
bodily integrity;
your culture canceled

cop brutality,
arbitrary detention;
vaccine deaths exposed

  1. A Greater Reset

rehumanism
local decision making
voluntarism

open discussion
natural health paradigm
judgment day for all

Clotrimazole

From Inside the Mask
it’s only a – beg pardon –
it’s only a mask.

The Mask Idea:
the idea of a mask
seen, becomes the mask.

Don’t you dare mask me.
And don’t blame me for freedom.
What price is your face?

HyperCoup Revealed

If the “vaccines” work
what’s going on? Deaths going up,
childhood strokes… Lockout.

The coup reveals all:
multicoup of everything
nothing sacred left.

How many percent
of this or that will it take
to wake the sleeping

dragon, justice, now?
The yearning to live again
to say this is ours.

What’s reality?
Not what the script readers say.
What you discover.

What will you create
in gathering with others?
Do not die alone.

Name the abusers.
Remember Nature’s freedom.
Protect the future.

You Will be Happy

what will I do when
they come to the door, to jab
or take me away

when they come for my
children, my freedom, my job
when they come saying:

You have no more rights
You will do as we tell you
You will own nothing

You will be happy

Pondering Kill Shots

pondering kill shots
the death of all we hold dear
still, walk in beauty

Old Man in a Chair

—to Vernon Coleman

old man in a chair
speaks truth in a human voice—
the new media

decentralized, free
a model for what’s coming
after the Big Lie—

our authority
is not claimed over others
but offered, to share

Cognitive Dissonance

Science says, we want
the digitalization
to make you feel safe

Channel Ridge 5G
gated indoor market mall
for your own safety

First, fear everyone
cancel everything normal
we will take the keys

so you can be safe
put aside those wayward thoughts
we’ll raise your children

Don’t be backsliders
we are the future—we! we!
Deaths? Coincidence!

Sickness? We’ll save you.
No more pain and suffering!
Sign here, say goodbye.


For more haiku see my latest book, Salt Spring Haiku.

Same Difference (haiku sequence)

by Mankh

man walking dog
March windy

in both faces

harbor whitecaps
small town street purple crocus
shaped by the wind

gulls around a puddle
in a parking lot—

office water-cooler

in a neighbor’s yard
there again this year!
big patch of purple crocus

March wind
did you learn your tune
from January?

     ~ Mankh (Walter E. Harris III)
allbook-books.com


See also Nowick Gray’s new book of haiku and senryu, Salt Spring Hiaku, which introduces the reader to the unique cultural flavor and natural beauties of Salt Spring Island, BC. Includes sections on Homecoming, Housekeeping, Zeitgeist, Equanimity, Expression, Insight, and Witness. Original photographs complement over fifty individual haiku and sequences, blending personal observation with larger social issues and redeeming spiritual grace.

Beyond Extinction

by Nowick Gray

‘They stole the children from the land. Now they want to steal the land from the children.’ —Tahltan protest sign, Kabloona Keepers

On the small island where I live we are blessed not only with abundant and intimate connection with nature in its beautiful, unspoiled state; we also have cultural resources rare in rural communities. This week’s annual film festival returned after a covid hiatus, showcasing documentaries that celebrate both natural and cultural treasures and the imperative to preserve them.

The festival was particularly strong in covering Indigenous issues, from the plight of the Sinixt of interior BC declared extinct by government decree, to the ongoing battle to save old growth forests from logging in unceded territory known as Fairy Creek. Protest also figured in other films portraying iconic struggles in Chile, Tasmania, and Vietnam-era USA, along with contemporary topics such as gender politics, nuclear power, and opioid addiction.

Such hot topics notwithstanding, it seems some subjects nevertheless remain off limits, at least for now. Conspicuous in absence were the supremely contentious issues of a pseudopandemic and all-too-real government overreach, experimental vaccines and sudden deaths, the corruption of media and capture of science. But perhaps I ask too much, too soon. How about a feature on the Freedom Convoy, or Died Suddenly, next year?

Festival organizers only grudgingly advised that facemasks, by now discredited by every reputable scientific study, are still “appreciated but not required.” Tellingly, the festival did include a film about Iranian women throwing off the head covering known as the hijab—apparently required but not appreciated. Facing our own masks means looking in the mirror; too scary!

With this broad brush I have not yet conveyed the emotional power of the films I saw today: Beyond Extinction: Sinixt Resurgence; Before They Fall (about Fairy Creek); and Franklin (about the 1980s battle to save Tasmania’s wild river). Each film spoke of heart-rending loss and destruction at the hands of colonial blindness and greed.

Maybe it was my personal connection to each of these campaigns that made them hit home so hard. Participating in logging blockades that were unsuccessful in Sinixt watersheds, and that are ongoing at Fairy Creek; and enjoying Tasmania’s primeval wilds on a visit two decades after their narrow victory (achieved finally with a national election and high court ruling).

Partly it was recognizing in these struggles that humanity itself is threatened now just as these film subjects were threatened with brutal erasure. A whole people, language, and ancestral home, in the case of the Sinixt; a priceless and irreplaceable ecosystem at Fairy Creek; a determined movement of mass action for wilderness protection, in Tasmania.

The forces arrayed remain constant: police, industry, the courts, the government, the rule of colonial law, pitted against independent media, grassroots activism, principled nonviolence, spiritual connection with land and ancestral values. In between are factions, pawns of the government, vying for economic crumbs and conditioned by centuries of exploitation, domination of the earth.

Today defenders of land and traditional humanity face off against multinational interests, global resetters, media and tech collusion, soulless financial entities. The battle goes on, with brushfires everywhere, stakes escalating, time running out.

Awakened and reawakened to our vital and sacred connections with each other and the earth, our hearts beat stronger. Our will to survive and prevail, undeterred. Filled with new love and respect—in solidarity with those on the front lines, and those who have shown the way. Ever more committed, resolved.

Mother Earth, Homo sapiens, not yet extinct, the fight goes on.

‘Technocrats, the bio-security pandemicists and transhuman global eugenicists want you to hate your humanity, hate your biology as a thing abhorrent, lose your useless eater life in drugs and entertainment media – trust The Science and get on your proverbial knees. The post-modern wokesters would emotionally stunt you and have you subsumed in the trans, non-binary collective, shame you as an oppressor/exalt you as a victim, reverse your order. Don’t breed for the sake of the earth. If you can’t get along, kill yourself. If you must live, you will do as we say. Take your shots. Don’t ask questions. Obey.

‘I prefer to embrace nature, celebrate biology… I prefer to trust myself, to know what is best for myself, I have no need for transhumanists, wokesters, technocrats, media or Intelligence Agents to tell me how to be. Our human biology is the culmination of four billion years of life on earth. I don’t need any high tech to see that, to find myself.’ —William Hunter Duncan